The online mag has grown from strength to strength, featuring articles from every branch of astrology, written by astrologers - many of them very well known - from every corner of the globe.
Now, 21 Issues in, it's reached a major landmark - its first print issue.
Here's the link should you wish to order a print or online copy.
And here's an extract from my movie column in this issue, where I unearth the astrology of horror director George A. Romero and his iconic zombie movies....
The dead have risen from their
graves. But these are not seductive, hyperaware vampires, nor are they
incorporeal spirits of dejected souls hopelessly seeking restitution for wrongs
done unto them in lives long past. These
are the zombies – repulsive and rotten, shrouded in the dirt of their burial
place and wearing the un-healed wounds of forgotten lives. Devoid of human
emotion, save for the irresistible and insatiable urge to consume flesh, theirs
is a slow death march, mindlessly relieving humanity of its soul and
consciousness one bite at a time.
Welcome to the world of George A.
Romero, king of the zombie movie. See beyond the shocking violence and gore and
Romero’s series of ‘Dead’ movies reveal a satire for the times.
And heads brings us to Aries (which
rules the head). Romero has the two traditional malefics, Mars and Saturn, and
also the South Node in Aries. Whenever a chart is strong in Aries we look for
ways in which the individual expresses a pioneering instinct. Indeed, Romero’s
Wikipedia page notes he was an “influential pioneer of the horror-film genre”1
and also held the status of “father of the zombie film,”2 reflecting
his prominent Saturn in Aries which is the dispositer of his Sun and Mercury in
Aquarius and possibly his Moon in Capricorn (unfortunately we don’t have a
birth time).
Mars Conjunct Saturn is heavy
enough, but they also make an out of sign Square with Pluto. A grim
combination, suggesting deeply buried rage clawing towards manifestation. The
South Node joining this mix means the energy needs to find a release. Sun and
Mercury in Aquarius (social comment) Quintile the Aries stellium encourages
release through creativity and what’s more creative than the imaginary world of
a movie? In fact, a number of Quintiles in Romero’s chart (Neptune to Chiron
and Uranus to Pluto) suggest a generational urge to find creative expression
through dark themes.
Venus in Pisces is both a creative
and an idealistic placement, evoking pretty images of peace and love, rainbows
and unicorns and Venus’ exaltation in Pisces suggests the potential for Venus’
energy to rise to its highest expression. Venus in Pisces also bestows empathy
with the underdog and compassion for the suffering of others, which can draw
the native into experiencing the uglier side of life and this comes out in the
imagery and subject matter of Romero’s movies.
Venus’ opposition to Neptune in
Virgo, the sign of Venus’ fall, brings a fear of loss and chaos, perceived in
an overactive imagination and in the case of his movies, the loss and chaos is
imagined through the zombie apocalypse. It brings tension to the yearning for
perfection, promising perpetual disappointment of Venus’ high ideals. More
mundanely it’s about learning that other people will always let you down when
you set your expectations too high. Even as we are asked to root for Romero’s
‘human’ characters, he expresses his disappointment in their ability to
cooperate and get along peacefully in the movies. It is human error and
aggression which allows the zombies to breach their protective boundaries,
spelling humanity’s doom. Venus in Pisces Opposite Neptune of course has issues
with maintaining boundaries and Mars Conjunct Saturn speaks of the massive
effort of trying to maintain literal – and emotional – boundaries against the
relentless and bloody assault of the dead risen from Pluto’s underworld. Chiron
in Cancer - Trine Venus and Quintile Neptune - describes the wounds that never
heal, illustrated in the zombies, who wear their festering injuries and deformities
like badges. Those bitten are robbed of their individuality, reducing them to
their most unconscionable baseline - animated meat, with no purpose but to
consume living flesh.
IAM #21 Contents |